exhibitions

MILANO DESIGN WEEK

IRIDESCENT, REFRACTION AND INTERFERENCE

BUGNO ART GALLERY, VENICE ITALY

The Looking-Glass and Through It
san pietroburgo, russia

"The Looking-Glass and Through It"
Dentro lo Specchio (titolo originale Зеркала и зазеркалье – Lo Specchio e il suo interno) che allude alla natura misteriosa e metafisica del “vetro che guarda”, usato per aprire il velo del tempo e penetrare nel passato e nel futuro. Nella visione artistica lo specchio diventa simbolo di introspezione e di divinazione, mostra il mondo riflesso, cambia la percezione delle cose, si appropria di immagini, forme e colori, assume il potere di trasformare l’inganno in realtà e le verità terrene in illusioni.
Mar 10 Nov 2020 a Dom 31 Gen 2021
more info
The exhibition occupies the entire space of the museum; it includes works of both classical and contemporary art. On the first floor, spectators will see a mirror “universum,” which reflects humanity’s infinite worlds of and their environment. The Mirror Can Tell You a Lot, is the title of one of the works by Ivan Akimov (1957-2011). Practically every work exhibited confirms this conclusion, no matter what genre it belongs to, portraiture, «nu» art or genre scenes.

PREMIO BRAZZALE
MUSEO LE CARCERI DI ASIAGO

IL 31 LUGLIO 2021 VERRÀ INAUGURATA AD ASIAGO, PRESSO IL MUSEO LE CARCERI
ALLE ORE 18:00, LA SECONDA EDIZIONE DELLA MOSTRA DEL PREMIO ECCELLENTI PITTORI-BRAZZALE CHE, OGNI ANNO, VA A PREMIARE L’OPERA D’ARTE PIÙ SIGNIFICATIVA PRODOTTA IN ITALIA NEL CORSO DELL'ANNO, GIUNTO ALLA SUA SETTIMA EDIZIONE. LA MOSTRA CHE DURERÀ FINO AL 21 SETTEMBRE, QUEST'ANNO PORTA IL TITOLO "VENETO FELICE".
MOSTRA ECCELLENTI PITTORI “VENETO FELICE” - MUSEO LE CARCERI DI ASIAGO, DAL 31 LUGLIO AL 21 SETTEMBRE 2021

THEATRE OF LIGHT
LONDON, PONTONE GALLERY 2019

SETOUCHI TRIENNALE
COLLATERAL EVENT-INUJIMA/JAPAN " ILGIARDINO DEI DIAMANTI

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THERE IS A DISTINCT SHIFT IN PERSPECTIVE IN FABIO BIANCO’S NEW ART PROJECT. IN THE PAST, HIS GAZE WAS INTROSPECTIVE, DELVING INTO THE VIVID INTERIORS OF HIS COLOURFUL ENVIRONMENTS AND CREATING IMAGINARY PERSPECTIVES THROUGH THE BOLD USE OF COLOUR. HERE, HOWEVER, THE CAMERA TURNS UPON ITSELF AND CHANGES ITS POINT OF VIEW. THE VISION ABANDONS ITS STATIC ROLE: CHANDELIERS—ONCE AN EXCEPTIONAL MEDIUM GIVING THE PAINTINGS A CINEMATIC CHARACTER—LOSE THEIR CENTRALITY, WHILE REFLECTIONS MULTIPLY THEIR GAMES AND DRAW US INTO THE UNFOLDING NARRATIVE. IN THIS LATEST SERIES OF WORKS, THE VIEWPOINT EMERGES FROM THE INSIDE OUT, LIKE THE MOVEMENT OF A GEAR WITHIN A MACHINE—DREAMLIKE, MYSTICAL, AND ENTIRELY UNAWARE OF WHAT LIES BEYOND. WE ARE INVITED TO IMAGINE A MARVELLOUS, IMAGINATIVE NATURE WHERE MORE ABSTRACT, SURREAL, AND DREAMLIKE ELEMENTS TAKE SHAPE. THE FAMILIAR MOTIFS OF FABIO BIANCO’S PAINTING REAPPEAR, SUCH AS THE CHANDELIER, A RECURRING FOCAL POINT OF HIS PICTORIAL LANGUAGE, YET THE BOUNDARIES BETWEEN REALITY AND FICTION, BETWEEN CONSCIOUSNESS AND IMAGINATION, DISSOLVE. THE RESULT IS A DIRECT, IMMERSIVE CONTACT WITH THE WORK, MEDIATED BY COLOUR AND THE DEFINITION OF SPACE.